OFFSCREEN

Produced with the support of the Fondation des artistes

Link to the video :
https://vimeo.com/874078574/6d789c3ba9?share=copy

Reminiscence Disk (2058) is part of a series of works entitled Edited Memories, a continuation of the artist's research into memory. The project, conceived as a whole, focuses in particular on reminiscence therapy, a term used to define a device for people suffering from memory disorders. This is defined by the use of objects, prompts or even environments that can stimulate memories that are still present. This series of strangely patterned coloured discs takes on the characteristics of therapeutic material designed for cerebral stimulation. These discs are like recordings of lost memories, reactivated by contact with the shapes engraved on their surface.

Reminiscence Disk (2058) is part of a series of works entitled Edited Memories, a continuation of the artist's research into memory. The project, conceived as a whole, focuses in particular on reminiscence therapy, a term used to define a device for people suffering from memory disorders. This is defined by the use of objects, prompts or even environments that can stimulate memories that are still present. This series of strangely patterned coloured discs takes on the characteristics of therapeutic material designed for cerebral stimulation. These discs are like recordings of lost memories, reactivated by contact with the shapes engraved on their surface.

Reminiscence Disk (2058) is part of a series of works entitled Edited Memories, a continuation of the artist's research into memory. The project, conceived as a whole, focuses in particular on reminiscence therapy, a term used to define a device for people suffering from memory disorders. This is defined by the use of objects, prompts or even environments that can stimulate memories that are still present. This series of strangely patterned coloured discs takes on the characteristics of therapeutic material designed for cerebral stimulation. These discs are like recordings of lost memories, reactivated by contact with the shapes engraved on their surface.

Forever Reverb (1958) is part of a series of works entitled Edited Memories, a continuation of the artist's research into memory. The project, conceived as a whole, focuses in particular on reminiscence therapy, a term used to define a device for people suffering from memory disorders. This is defined by the use of objects, prompts or even environments that can stimulate memories that are still present. The photographs were taken on the set of a film depicting life in a Memory Care Centre, a gigantic set mimicking the 1950s (the reference year is 1958), where people, most of them suffering from Alzheimer's disease, live.

Forever Reverb (1958) is part of a series of works entitled Edited Memories, a continuation of the artist's research into memory. The project, conceived as a whole, focuses in particular on reminiscence therapy, a term used to define a device for people suffering from memory disorders. This is defined by the use of objects, prompts or even environments that can stimulate memories that are still present. The photographs were taken on the set of a film depicting life in a Memory Care Centre, a gigantic set mimicking the 1950s (the reference year is 1958), where people, most of them suffering from Alzheimer's disease, live.

Forever Reverb (1958) is part of a series of works entitled Edited Memories, a continuation of the artist's research into memory. The project, conceived as a whole, focuses in particular on reminiscence therapy, a term used to define a device for people suffering from memory disorders. This is defined by the use of objects, prompts or even environments that can stimulate memories that are still present. The photographs were taken on the set of a film depicting life in a Memory Care Centre, a gigantic set mimicking the 1950s (the reference year is 1958), where people, most of them suffering from Alzheimer's disease, live.

Forever Reverb (1958) is part of a series of works entitled Edited Memories, a continuation of the artist's research into memory. The project, conceived as a whole, focuses in particular on reminiscence therapy, a term used to define a device for people suffering from memory disorders. This is defined by the use of objects, prompts or even environments that can stimulate memories that are still present. The photographs were taken on the set of a film depicting life in a Memory Care Centre, a gigantic set mimicking the 1950s (the reference year is 1958), where people, most of them suffering from Alzheimer's disease, live.

Forever Reverb (1958) is part of a series of works entitled Edited Memories, a continuation of the artist's research into memory. The project, conceived as a whole, focuses in particular on reminiscence therapy, a term used to define a device for people suffering from memory disorders. This is defined by the use of objects, prompts or even environments that can stimulate memories that are still present. The photographs were taken on the set of a film depicting life in a Memory Care Centre, a gigantic set mimicking the 1950s (the reference year is 1958), where people, most of them suffering from Alzheimer's disease, live.

Forever Reverb (1958) is part of a series of works entitled Edited Memories, a continuation of the artist's research into memory. The project, conceived as a whole, focuses in particular on reminiscence therapy, a term used to define a device for people suffering from memory disorders. This is defined by the use of objects, prompts or even environments that can stimulate memories that are still present. The photographs were taken on the set of a film depicting life in a Memory Care Centre, a gigantic set mimicking the 1950s (the reference year is 1958), where people, most of them suffering from Alzheimer's disease, live.