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Cyrielle Gulacsy

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  • Exhibitions
Incendie, 2025
Incendie, 2025
Acrylic on canvas
140 x 200 cm
Enquiries about work INV Nbr. CG2025006

With the influence of modern sciences, the work of Cyrielle Gulacsy evolves towards the representation of an imperceptible reality close to abstraction, revealing the invisible laws of nature. Space-time, electromagnetism and light diffraction are her fields of research and experimentation, she explores our perception of light through space and time, trying to reveal the matter that composes it. Each point, whether it is the measure of a particle or a celestial object, gives substance to an inaccessible reality and offers a point of view at the same time intimate and dizzying of the world which surrounds us.

CS033, 2025
CS033, 2025
Acrylic on canvas
160 x 130 cm
Titled and signed at the back
Enquiries about work INV Nbr. CG2025004
CS031, 2025
CS031, 2025
Acrylic on canvas
160 x 130 cm
Titled and signed at the back
Enquiries about work INV Nbr. CG2025003
CS032, 2025
CS032, 2025
Acrylic on canvas
160 x 130 cm
Titled and signed at the back
Enquiries about work INV Nbr. CG2025001
CS021, 2025
CS021, 2025
Acrylic on canvas
80 x 130 cm
Titled and signed at the back
Enquiries about work INV Nbr. CG2025002
Diffraction (D008), 2024
Diffraction (D008), 2024
Acrylic on canvas
80 x 60 cm
Enquiries about work INV Nbr. CG2024008
CS022, 2024
CS022, 2024
Acrylic on canvas
40 x 30 cm
Enquiries about work INV Nbr. CG2024005
VL-R 06, 2024
VL-R 06, 2024
Acrylic on canvas
140 x 107 cm
Enquiries about work INV Nbr. CG2024001
VL-R 07, 2024
VL-R 07, 2024
Acrylic on canvas
140 x 107 cm
Enquiries about work INV Nbr. CG2024002
CS021, 2024
CS021, 2024
Acrylic on canvas
156 x 118 cm
Enquiries about work INV Nbr. CG2024004
CS019, 2023
CS019, 2023
Acrylic on canvas
156 x 117 cm
Enquiries about work INV Nbr. CG2023056
VL-R 01, 2023
VL-R 01, 2023
Acrylic on canvas
180 x 150 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2023027
VL-R 02, 2023
VL-R 02, 2023
Acrylic on canvas
180 x 150 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2023028
VL-R 03, 2023
VL-R 03, 2023
Acrylic on canvas
180 x 150 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2023032
VL-R 04, 2023
VL-R 04, 2023
Acrylic on canvas
180 x 150 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2023031
VL-R 05, 2023
VL-R 05, 2023
Acrylic on canvas
180 x 150 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2023046
Solar radiation, 2023
Solar radiation, 2023
Acrylic on wood
40 x 60 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2023050
Terrestrial Light - Polyptyque, 2023
Terrestrial Light - Polyptyque, 2023
Series, Cyanotype on paper
Image: 39 x 53 cm each
Frame: 40 x 54 cm each
Enquiries about work INV Nbr. CG2023051

Since the emergence of the first particle, matter assembles itself thanks to light, forming increasingly complex objects, stars, galaxies. Light is what links us to the cosmos, bringing us informations, from the origin of the universe to the appearance of life. Life, itself, is among the most luminous objects the universe has produced. This idea, developed by the astrophysicist David Elbaz in “La plus belle ruse de la lumière” is at the origin of this series of photography, in which we can distinguish a multitude of bright dots like the constellations of a starry night. But these light sources are much closer to us, on earth. This is the thermal signature of bees. The heat they emit radiates as infrared light and is then captured by a thermal camera. Using the cyanotype technique developed by astronomer William Herschel in 1842, the invisible light from the bees' heat is made visible by the daylight needed for the cyanotype to reveal itself. This series marks a turning point in the work of Cyrielle Gulacsy, introducing living being, while keeping exploring light, this time, terrestrial light.

Terrestrial Light 01, 2023
Terrestrial Light 01, 2023
Cyanotype on paper
Image: 39 x 53 cm
Frame: 40 x 54 cm
Signed, titled, dated at the back
Enquiries about work INV Nbr. CG2023033

Depuis l'origine de l'univers la matière s'assemble grâce à la lumière, formant ainsi des objets de plus en plus complexes, des étoiles, des galaxies, engendrant ainsi toujours plus de lumière. La lumière est ce qui nous lie au cosmos, depuis l'origine de l'univers jusqu'à l'apparition de la vie. Il se trouve que la vie elle-même compte parmi les formes complexes les plus lumineuses que l'univers ait engendré. Cette idée, développée et calculée par l'astrophysicien David Elbaz dans son livre ”la plus belle ruse de la lumière” est à l'origine la série “lumière terrestre”. Dans cette série de photos, on peut distinguer une multitude de points lumineux répartis dans l'espace comme les constellations d'un ciel étoilé. Ces sources de lumière sont pourtant bien plus proches de nous, sur terre. Il s'agit de la signature thermique des abeilles. La chaleur qu'elles émettent rayonne en lumière infrarouge et est ensuite capturée par une caméra thermique. En utilisant la technique du cyanotype mise au point par l'astronome William Herschel en 1842 pour imprimer ces photos, la lumière invisible de la chaleur des abeilles est rendue visible par la lumière du jour, nécessaire au cyanotype pour se révéler.

Le génie humain envoie dans l'espace des télescopes de plus en plus perfectionnés dotés de caméras infrarouge pour observer dans l'infiniment lointain des objets célestes, souvent invisibles, qui s'éloignent de nous du fait de l'expansion de l'univers. Dans cette série, l'artiste utilise les mêmes caméras infrarouge pour regarder cette fois dans notre environnement proche des objets qui pourtant loin d'être invisible, disparaissent peu à peu du champ de notre attention collective. Cette série marque un tournant dans la recherche de l'artiste qui introduit pour la première fois le vivant dans son travail, tout en poursuivant son exploration de la lumière, mais cette fois, de la lumière terrestre.

Terrestrial Light 02, 2023
Terrestrial Light 02, 2023
Cyanotype on paper
Image: 39 x 53 cm
Frame: 40 x 54 cm
Signed, titled, dated at the back
Enquiries about work INV Nbr. CG2023034

Since the emergence of the first particle, matter assembles itself thanks to light, forming increasingly complex objects, stars, galaxies, thus generating ever more light. Light is what links us to the cosmos, bringing us informations, from the origin of the known universe to the appearance of life. It turns out that life itself is among the most luminous objects the universe has produced. This idea, developed and calculated by the astrophysicist David Elbaz in his book “La plus belle ruse de la lumière” (“The most beautiful trick of light”) is at the origin of the “terrestrial light” series. In this series of photography, we can distinguish a multitude of bright dots distributed in space like the constellations of a starry night. But these light sources are much closer to us, on earth. This is the thermal signature of bees. 
The heat they emit radiates as infrared light and is then captured by a thermal camera. Using the cyanotype technique developed by astronomer William Herschel in 1842 to print these photos, the invisible light from the bees' heat is made visible by the daylight needed for the cyanotype to reveal itself.

Human genius is sending increasingly sophisticated telescopes equipped with infrared cameras into deep space to observe extremely distant celestial objects, often invisible, moving away from us due to the expansion of the universe. In this series, the same infrared cameras are used to look this time in our close environment, objects which far from being invisible are however gradually disappearing from the field of our collective attention. This series marks a turning point in the work I was doing until now by introducing living being, while keeping exploring light. But this time, terrestrial light.

Terrestrial Light 03, 2023
Terrestrial Light 03, 2023
Cyanotype on paper
Image: 39 x 53 cm
Frame: 40 x 54 cm
Signed, titled, dated at the back
Enquiries about work INV Nbr. CG2023035

Dans cette série, on distingue une multitude de points lumineux répartis dans l'espace comme les constellations d'un ciel étoilé. Ces sources de lumière sont pourtant bien plus proches de nous, sur terre. Il s'agit de la signature thermique des abeilles. La chaleur qu'elles émettent rayonne en lumière infrarouge et est ensuite capturée par une caméra thermique. En utilisant la technique du cyanotype mise au point par l'astronome William Herschel en 1842 pour imprimer ces photos, la lumière invisible de la chaleur des abeilles est rendue visible par la lumière du jour, nécessaire au cyanotype pour se révéler.

Atmosphère, 2023
Atmosphère, 2023
Drawing with colored pencils on paper
60 x 42,5 cm
Signed, titled, dated at the back
Enquiries about work INV Nbr. CG2023045
Distant time, (deep field) 015, 2023
Distant time, (deep field) 015, 2023
Indian Ink on paper
24,5 x 27 cm
Enquiries about work INV Nbr. CG2023026
STW 04 & 09, 2023
STW 04 & 09, 2023
Spacetime warp
Oak wood, metal base
141 x 45 cm
Signed and dated
Enquiries about work INV Nbr. CG2023047

Spacetime Warp is a set of wooden sculptures, which offer a metaphor of general relativity. The trees contain within them a very particular testimony of the passage of time. The distance formed between each ring during a specific lapse of time symbolizes a form of materialized space-time. By sculpting each piece of wood in the same way that stars bend space-time by their mass, Spacetime Warp operates a symbolic inversion between visible and invisible. The act of carving makes matter disappear and gives shape to emptiness. Space-time, through the patterns left by the rings becomes palpable and visible, as the star is guessed by the light that can be seen at the end of the cavity.

STW 13, 2023
STW 13, 2023
Spacetime warp
Oak wood, metal base
124 x 43 cm
Signed and dated
Enquiries about work INV Nbr. CG2023048

Spacetime Warp is a set of wooden sculptures, which offer a metaphor of general relativity. The trees contain within them a very particular testimony of the passage of time. The distance formed between each ring during a specific lapse of time symbolizes a form of materialized space-time. By sculpting each piece of wood in the same way that stars bend space-time by their mass, Spacetime Warp operates a symbolic inversion between visible and invisible. The act of carving makes matter disappear and gives shape to emptiness. Space-time, through the patterns left by the rings becomes palpable and visible, as the star is guessed by the light that can be seen at the end of the cavity.

Spacetime warp, 2022
Spacetime warp, 2022
Oak wood
Variable dimensions
Enquiries about work INV Nbr. CG2022039

Time Warp is a set of wooden sculptures, which offer a metaphor of general relativity. The trees contain within them a very particular testimony of the passage of time. The distance formed between each ring during a specific lapse of time symbolizes a form of materialized space-time. By sculpting each piece of wood in the same way that stars bend space-time by their mass, Time Warp operates a symbolic inversion between visible and invisible. The act of carving makes matter disappear and gives shape to emptiness. Space-time, through the patterns left by the rings becomes palpable and visible, as the star is guessed by the light that can be seen at the end of the cavity.

Cyrielle Gulacsy
Spacetime warp, 2022
Oak wood
Variable dimensions
Enquiries about work INV Nbr. CG2022039

Time Warp is a set of wooden sculptures, which offer a metaphor of general relativity. The trees contain within them a very particular testimony of the passage of time. The distance formed between each ring during a specific lapse of time symbolizes a form of materialized space-time. By sculpting each piece of wood in the same way that stars bend space-time by their mass, Time Warp operates a symbolic inversion between visible and invisible. The act of carving makes matter disappear and gives shape to emptiness. Space-time, through the patterns left by the rings becomes palpable and visible, as the star is guessed by the light that can be seen at the end of the cavity.

Spacetime warp, 2023
Spacetime warp, 2023
Sculpture en chêne et acier
Enquiries about work INV Nbr. CG2023029
White Light 06, 2022
White Light 06, 2022
Acrylic on canvas
93 x 121,7 cm
©thomascerato
Enquiries about work INV Nbr. CG2022032
Andromeda DC02, 2022
Andromeda DC02, 2022
Acrylic on canvas
155 x 155 cm
Enquiries about work INV Nbr. CG2022031
Untitled blue 02, 2020-2023
Untitled blue 02, 2020-2023
Acrylic on canvas
120 x 100 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2023030
Polyptyque - Light fragment, 2023
Polyptyque - Light fragment, 2023
Series of 18 pieces, Acrylic on paper
50,5 x 36 cm each
Enquiries about work INV Nbr. CG2023001
Light fragment 03 (1c), 2023
Light fragment 03 (1c), 2023
Acrylic ink on paper
50,5 x 36 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2023006
Light fragment 08 (2b), 2023
Light fragment 08 (2b), 2023
Acrylic ink on paper
50,5 x 36 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2023011
Light fragment 18 (3f), 2023
Light fragment 18 (3f), 2023
Acrylic ink on paper
50,5 x 36 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2023003
Overview O;04, 2023
Overview O;04, 2023
Acrylic ink on paper
64 x 92 cm
Tiled, dated and signed at the back
Enquiries about work INV Nbr. CG2023021
Andromeda H-Alpha 02, 2023
Andromeda H-Alpha 02, 2023
Indian Ink on paper
45,5 x 35,5 cm
Tiled, dated and signed at the back
Enquiries about work INV Nbr. CG2023022
Andromeda H-Alpha 03, 2023
Andromeda H-Alpha 03, 2023
Indian Ink on paper
45,5 x 35,5 cm
Tiled, dated and signed at the back
Enquiries about work INV Nbr. CG2023023
Andromeda H-Alpha 04, 2023
Andromeda H-Alpha 04, 2023
Indian Ink on paper
45,5 x 35,5 cm
Tiled, dated and signed at the back
Enquiries about work INV Nbr. CG2023024
Solar Dynamics 02 (H-Alpha), 2022
Solar Dynamics 02 (H-Alpha), 2022
Indian ink on paper
16 x 20,5 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2022003

The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.

Solar Dynamics 08 (H-Alpha), 2022
Solar Dynamics 08 (H-Alpha), 2022
Indian ink on paper
16 x 20,5 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2022008

The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.

Solar Dynamics 16 (H-Alpha), 2022
Solar Dynamics 16 (H-Alpha), 2022
Indian ink on paper
16 x 20,5 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2022016

The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.

CS004, 2021
CS004, 2021
Composantes spectrales
Acrylic on canvas
160 x 115 cm
Signed, titled, dated at the back
Enquiries about work INV Nbr. CG2021001

The Composantes spectrales (spectral components) series follows from on the previous artist’s research on the light’s diffraction using coloured dots. Cyrielle Gulascy evolves in her work of light representing. In this series, the scale of each dot is widened to emphasize on the propagation phenomenon. It allows to show even more all the colors that the eyes cannot see naturally.

CS012, 2022
CS012, 2022
Composantes spectrales
Acrylic on canvas
160 x 115 cm
Signed, titled, dated at the back
Enquiries about work INV Nbr. CG2022025

The Composantes spectrales (spectral components) series follows from on the previous artist's research on the light's diffraction using coloured dots. Cyrielle Gulascy evolves in her work of light representing. In this series, the scale of each dot is widened to emphasize on the propagation phenomenon. It allows to show even more all the colors that the eyes cannot see naturally.

CS013, 2022
CS013, 2022
Composantes spectrales
Acrylic on canvas
160 x 115 cm
Signed, titled, dated at the back
Enquiries about work INV Nbr. CG2022026

The Composantes spectrales (spectral components) series follows from on the previous artist’s research on the light’s diffraction using coloured dots. Cyrielle Gulascy evolves in her work of light representing. In this series, the scale of each dot is widened to emphasize on the propagation phenomenon. It allows to show even more all the colors that the eyes cannot see naturally.

CS014, 2022
CS014, 2022
Composantes spectrales
Acrylic on canvas
160 x 115 cm
Signed, titled, dated at the back
Enquiries about work INV Nbr. CG2022027

The Composantes spectrales (spectral components) series follows from on the previous artist's research on the light's diffraction using coloured dots. Cyrielle Gulascy evolves in her work of light representing. In this series, the scale of each dot is widened to emphasize on the propagation phenomenon. It allows to show even more all the colors that the eyes cannot see naturally.

LD02, 2022
LD02, 2022
Light Diffusion, Diffusion de la lumière solaire à travers l'atmosphère terrestre
Acrylic on canvas
80 x 100 cm
Signed, titled, dated at the back
Enquiries about work INV Nbr. CG2022028

Light Diffusion is a series of paintings that makes the link between white Light and visible light.
Through the articulation of color and brush dots, the artist tries to interpret of the passage of white light through the earth’s atmosphere. The particularity of this phenomenon is that it diffuses the light in such a way that it appears primarily blue.

Exosphere 01, 2021
Exosphere 01, 2021
Acrylic ink on cotton canvas
93 x 122 cm
Signed, titled, dated at the back
Enquiries about work INV Nbr. CG2021006

In the Exosphère series Cyrielle Gulacsy continues her pictural exploration based on natural phenomenon, especially on the very essence of light.
The "Exosphere" refers to the most external layer of the atmosphere, which reaches the void of interstellar space. Despite the black appearance of the canvas' surface, it is indeed the light that the artist focuses on, by painting these different dots. The lack of atmosphere in this stratum prevents the light from releasing, which explains the dark, almost black aspect.

Untitled (Red), 2022
Untitled (Red), 2022
Acrylic on canvas
16 x 22 cm
Signed, titled, dated at the back
Enquiries about work INV Nbr. CG2022029

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Solar Dynamics, 2022
Solar Dynamics, 2022
Series of 24 unique Indian ink drawings on paper
Enquiries about work INV Nbr. CG2022030
Solar Dynamics 01 (H-Alpha), 2022
Solar Dynamics 01 (H-Alpha), 2022
Indian ink on paper
16 x 20,5 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2022002

The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.

Solar Dynamics 07 (H-Alpha), 2022
Solar Dynamics 07 (H-Alpha), 2022
Indian ink on paper
16 x 20,5 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2022001

The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.

Solar Dynamics 24 (H-Alpha), 2022
Solar Dynamics 24 (H-Alpha), 2022
Indian ink on paper
16 x 20,5 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2022024

The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.

Untitled (Blue hour), 2021
Untitled (Blue hour), 2021
Acrylic ink on wood
50 x 70 cm
Signed, dated at the back
Enquiries about work INV Nbr. CG2021008

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CS07, 2021
CS07, 2021
Composantes spectrale
Acrylic ink on cotton canvas
130 x 85 cm
Signed, titled, dated at the back
Enquiries about work INV Nbr. CG2021013

The Composantes spectrales (spectral components) series follows from on the previous artist's research on the light's diffraction using coloured dots. Cyrielle Gulascy evolves in her work of light representing. In this series, the scale of each dot is widened to emphasize on the propagation phenomenon. It allows to show even more all the colors that the eyes cannot see naturally.

CS005, 2021
CS005, 2021
Acrylic ink on canvas
156 x 118 x 3,5 cm
Enquiries about work INV Nbr. CG2021002
CS008, 2021
CS008, 2021
Acrylic ink on canvas
156 x 118 x 3,5 cm
Enquiries about work INV Nbr. CG2021003
CS010, 2021
CS010, 2021
Visible Light
Acrylic ink on cotton canvas
160 x 115 cm
Enquiries about work INV Nbr. CG2021012
Star Spectrometer line 04, 2021
Star Spectrometer line 04, 2021
Indian ink on paper
22,86 x 30,58 cm
Enquiries about work INV Nbr. CG2021007


WL005, 2021
WL005, 2021
White Light
Acrylic on cotton paper
18 x 21 cm
Enquiries about work INV Nbr. CG2021010
Andromeda C02, 2021
Andromeda C02, 2021
Acrylic ink on canvas
100 x 120 x 3,5 cm
Enquiries about work INV Nbr. CG2021005


Ergosphere 01, 2021
Ergosphere 01, 2021
Acrylic ink on coton paper
60 x 44 cm
Enquiries about work INV Nbr. CG2021004
Sans titre, 2020
Sans titre, 2020
Indian ink on paper
18 x 21 cm
Enquiries about work INV Nbr. CG2020004
White light #3, 2020
White light #3, 2020
Acrylic ink on paper
92,7 x 135,9 cm
Enquiries about work INV Nbr. CG2020001
Andromeda Galaxy, continuum-subtracted H-alpha, 2020
Andromeda Galaxy, continuum-subtracted H-alpha, 2020
Indian ink on paper
53 x 73 cm
Enquiries about work INV Nbr. CG2020003
LD01, 2020
LD01, 2020
Light Diffusion, Diffusion de la lumière solaire à travers l'atmosphère terrestre
Acrylic ink on paper
112 x 77 cm
Enquiries about work INV Nbr. CG2020002
CS028, 2024
CS028, 2024
Acrylic on wood
46 x 38 cm
Enquiries about work INV Nbr. CG2024006
CS029, 2024
CS029, 2024
Acrylic on wood
46 x 38 cm
Enquiries about work INV Nbr. CG2024007
CS034, 2025
CS034, 2025
Acrylic on canvas
140 x 100 cm
Titled and signed at the back
Enquiries about work INV Nbr. CG2025007

Cyrielle Gulacsy was born in the Paris region in 1994. She lives and works in Paris. 
With the influence of modern sciences, her work evolves towards the representation of an imperceptible reality close to abstraction, revealing the invisible laws of nature. Space-time, electromagnetism and light diffraction are all fields of research and experimentation that allow her to explore representations of reality. In her work, she explores our perception of light through space and time, trying to reveal the matter that composes it. Each point, whether it is the measure of a particle or a celestial object, gives substance to an inaccessible reality and offers a point of view at the same time intimate and dizzying of the world which surrounds us. 
 


Download Cyrielle Gulacsy's press kit (pdf)

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