Cyrielle Gulacsy

50,5 x 36 cm each

50,5 x 36 cm
Signed, titled and dated at the back

50,5 x 36 cm
Signed, titled and dated at the back

50,5 x 36 cm
Signed, titled and dated at the back

64 x 92 cm
Tiled, dated and signed at the back

Variable dimensions
Time Warp is a set of wooden sculptures, which offer a metaphor of general relativity. The trees contain within them a very particular testimony of the passage of time. The distance formed between each ring during a specific lapse of time symbolizes a form of materialized space-time. By sculpting each piece of wood in the same way that stars bend space-time by their mass, Time Warp operates a symbolic inversion between visible and invisible. The act of carving makes matter disappear and gives shape to emptiness. Space-time, through the patterns left by the rings becomes palpable and visible, as the star is guessed by the light that can be seen at the end of the cavity.

Variable dimensions
Time Warp is a set of wooden sculptures, which offer a metaphor of general relativity. The trees contain within them a very particular testimony of the passage of time. The distance formed between each ring during a specific lapse of time symbolizes a form of materialized space-time. By sculpting each piece of wood in the same way that stars bend space-time by their mass, Time Warp operates a symbolic inversion between visible and invisible. The act of carving makes matter disappear and gives shape to emptiness. Space-time, through the patterns left by the rings becomes palpable and visible, as the star is guessed by the light that can be seen at the end of the cavity.

Oak wood
Diam 50 cm
Time Warp is a set of wooden sculptures, which offer a metaphor of general relativity. The trees contain within them a very particular testimony of the passage of time. The distance formed between each ring during a specific lapse of time symbolizes a form of materialized space-time. By sculpting each piece of wood in the same way that stars bend space-time by their mass, Time Warp operates a symbolic inversion between visible and invisible. The act of carving makes matter disappear and gives shape to emptiness. Space-time, through the patterns left by the rings becomes palpable and visible, as the star is guessed by the light that can be seen at the end of the cavity.

Oak wood
Diam 25 cm
Time Warp is a set of wooden sculptures, which offer a metaphor of general relativity. The trees contain within them a very particular testimony of the passage of time. The distance formed between each ring during a specific lapse of time symbolizes a form of materialized space-time. By sculpting each piece of wood in the same way that stars bend space-time by their mass, Time Warp operates a symbolic inversion between visible and invisible. The act of carving makes matter disappear and gives shape to emptiness. Space-time, through the patterns left by the rings becomes palpable and visible, as the star is guessed by the light that can be seen at the end of the cavity.

Oak wood
Diam 8 cm
Time Warp is a set of wooden sculptures, which offer a metaphor of general relativity. The trees contain within them a very particular testimony of the passage of time. The distance formed between each ring during a specific lapse of time symbolizes a form of materialized space-time. By sculpting each piece of wood in the same way that stars bend space-time by their mass, Time Warp operates a symbolic inversion between visible and invisible. The act of carving makes matter disappear and gives shape to emptiness. Space-time, through the patterns left by the rings becomes palpable and visible, as the star is guessed by the light that can be seen at the end of the cavity.

45,5 x 35,5 cm
Tiled, dated and signed at the back

45,5 x 35,5 cm
Tiled, dated and signed at the back

45,5 x 35,5 cm
Tiled, dated and signed at the back

16 x 20,5 cm
Signed, titled and dated at the back
The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.

16 x 20,5 cm
Signed, titled and dated at the back
The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.

16 x 20,5 cm
Signed, titled and dated at the back
The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.

Acrylic on canvas
160 x 115 cm
Signed, titled, dated at the back
The Composantes spectrales (spectral components) series follows from on the previous artist’s research on the light’s diffraction using coloured dots. Cyrielle Gulascy evolves in her work of light representing. In this series, the scale of each dot is widened to emphasize on the propagation phenomenon. It allows to show even more all the colors that the eyes cannot see naturally.

Acrylic on canvas
160 x 115 cm
Signed, titled, dated at the back
The Composantes spectrales (spectral components) series follows from on the previous artist's research on the light's diffraction using coloured dots. Cyrielle Gulascy evolves in her work of light representing. In this series, the scale of each dot is widened to emphasize on the propagation phenomenon. It allows to show even more all the colors that the eyes cannot see naturally.

Acrylic on canvas
160 x 115 cm
Signed, titled, dated at the back
The Composantes spectrales (spectral components) series follows from on the previous artist’s research on the light’s diffraction using coloured dots. Cyrielle Gulascy evolves in her work of light representing. In this series, the scale of each dot is widened to emphasize on the propagation phenomenon. It allows to show even more all the colors that the eyes cannot see naturally.

Acrylic on canvas
160 x 115 cm
Signed, titled, dated at the back
The Composantes spectrales (spectral components) series follows from on the previous artist's research on the light's diffraction using coloured dots. Cyrielle Gulascy evolves in her work of light representing. In this series, the scale of each dot is widened to emphasize on the propagation phenomenon. It allows to show even more all the colors that the eyes cannot see naturally.

Acrylic on canvas
80 x 100 cm
Signed, titled, dated at the back
Light Diffusion is a series of paintings that makes the link between white Light and visible light.
Through the articulation of color and brush dots, the artist tries to interpret of the passage of white light through the earth’s atmosphere. The particularity of this phenomenon is that it diffuses the light in such a way that it appears primarily blue.

93 x 122 cm
Signed, titled, dated at the back
In the Exosphère series Cyrielle Gulacsy continues her pictural exploration based on natural phenomenon, especially on the very essence of light.
The "Exosphere" refers to the most external layer of the atmosphere, which reaches the void of interstellar space. Despite the black appearance of the canvas' surface, it is indeed the light that the artist focuses on, by painting these different dots. The lack of atmosphere in this stratum prevents the light from releasing, which explains the dark, almost black aspect.

16 x 22 cm
Signed, titled, dated at the back
-


16 x 20,5 cm
Signed, titled and dated at the back
The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.

16 x 20,5 cm
Signed, titled and dated at the back
The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.

16 x 20,5 cm
Signed, titled and dated at the back
The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.

50 x 70 cm
Signed, dated at the back
-

Acrylic ink on cotton canvas
130 x 85 cm
Signed, titled, dated at the back
The Composantes spectrales (spectral components) series follows from on the previous artist's research on the light's diffraction using coloured dots. Cyrielle Gulascy evolves in her work of light representing. In this series, the scale of each dot is widened to emphasize on the propagation phenomenon. It allows to show even more all the colors that the eyes cannot see naturally.

156 x 118 x 3,5 cm

156 x 118 x 3,5 cm

Acrylic ink on cotton canvas
160 x 115 cm

22,86 x 30,58 cm

Acrylic on cotton paper
18 x 21 cm

100 x 120 x 3,5 cm

60 x 44 cm

18 x 21 cm

92,7 x 135,9 cm

Acrylic ink on paper
112 x 77 cm

53 x 73 cm

28 x 28 cm
Cyrielle Gulacsy was born in the Paris region in 1994. She lives and works in Paris.
With the influence of modern physics, her work evolves towards the representation of an imperceptible reality close to abstraction, revealing the invisible laws of nature. Space-time, electromagnetism and light diffraction are all fields of research and experimentation that allow her to explore representations of reality. In her work, she explores our perception of light through space and time, trying to reveal the matter that composes it. Each point, whether it is the measure of a particle or a celestial object, gives substance to an inaccessible reality and offers a point of view at the same time intimate and dizzying of the world which surrounds us.