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Elise Peroi

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Vent dominant, 2024
Vent dominant, 2024
Linen, painted silk, wood
400 x 169 x 300 cm
© Romain Darnaud
Enquiries about work INV Nbr. EP2024005

Like an hymn to nature, Vent dominant plays with the close link between textile and architecture, the support and the surface, and its deployment in space. As an extension of her practice, Elise Peroi draws on Augustin Berque's Histoire de l'habitat idéal, De l'Orient vers l'Occident and his idea of the hut as a natural habitat. Produced as part of her residency at the Fondation Thalie in Arles in 2024, this work is part of her Nouer une cabane project, in which she draws inspiration from the gardian's houses in Camargue (South of France). Originally built from wood and reeds sewn together with wire, these shelters, whose rounded shape allows them to withstand the Mistral wind, blend in naturally with their surroundings. The architectural structure blends into the landscape through the drawn shapes and the use of emptiness as the poetry of the wind, the whole becoming one. ‘For me, the hut is a way of representing textiles as nomadic, breathable architecture, working with textiles of varying inclinations.' - Elise Peroi

Elise Peroi
Vent dominant, 2024
Linen, painted silk, wood
400 x 169 x 300 cm
© Romain Darnaud
Enquiries about work INV Nbr. EP2024005

Like an hymn to nature, Vent dominant plays with the close link between textile and architecture, the support and the surface, and its deployment in space. As an extension of her practice, Elise Peroi draws on Augustin Berque's Histoire de l'habitat idéal, De l'Orient vers l'Occident and his idea of the hut as a natural habitat. Produced as part of her residency at the Fondation Thalie in Arles in 2024, this work is part of her Nouer une cabane project, in which she draws inspiration from the gardian's houses in Camargue (South of France). Originally built from wood and reeds sewn together with wire, these shelters, whose rounded shape allows them to withstand the Mistral wind, blend in naturally with their surroundings. The architectural structure blends into the landscape through the drawn shapes and the use of emptiness as the poetry of the wind, the whole becoming one. ‘For me, the hut is a way of representing textiles as nomadic, breathable architecture, working with textiles of varying inclinations.' - Elise Peroi

Elise Peroi
Vent dominant, 2024
Linen, painted silk, wood
400 x 169 x 300 cm
© Romain Darnaud
Enquiries about work INV Nbr. EP2024005

Like an hymn to nature, Vent dominant plays with the close link between textile and architecture, the support and the surface, and its deployment in space. As an extension of her practice, Elise Peroi draws on Augustin Berque's Histoire de l'habitat idéal, De l'Orient vers l'Occident and his idea of the hut as a natural habitat. Produced as part of her residency at the Fondation Thalie in Arles in 2024, this work is part of her Nouer une cabane project, in which she draws inspiration from the gardian's houses in Camargue (South of France). Originally built from wood and reeds sewn together with wire, these shelters, whose rounded shape allows them to withstand the Mistral wind, blend in naturally with their surroundings. The architectural structure blends into the landscape through the drawn shapes and the use of emptiness as the poetry of the wind, the whole becoming one. ‘For me, the hut is a way of representing textiles as nomadic, breathable architecture, working with textiles of varying inclinations.' - Elise Peroi

Attrape-brouillard, 2024
Attrape-brouillard, 2024
Silk, silver leaf, linen, wood
166 x 140 x 15 cm
© Romain Darnaud
Enquiries about work INV Nbr. EP2024001

Attrape-brouillard is inspired by the water collection nets installed in Morocco to supply local populations and alleviate shortages. Using a mesh technique, the fog is captured and transformed. Like ‘a cloud to be painted', Élise Peroi thinks up her own installation, playing with volumes and light. The movement, reinforced by the use of silver leaf as a veritable plastic language, gives substance to the shapes and to the idea of shimmering water. The use of transparency in the voids reveals the pattern of yellow shrubs, the Sophora denudata, a species naturally capable of capturing water from the fog.

Elise Peroi
Attrape-brouillard, 2024
Silk, silver leaf, linen, wood
166 x 140 x 15 cm
© Romain Darnaud
Enquiries about work INV Nbr. EP2024001

Attrape-brouillard is inspired by the water collection nets installed in Morocco to supply local populations and alleviate shortages. Using a mesh technique, the fog is captured and transformed. Like ‘a cloud to be painted', Élise Peroi thinks up her own installation, playing with volumes and light. The movement, reinforced by the use of silver leaf as a veritable plastic language, gives substance to the shapes and to the idea of shimmering water. The use of transparency in the voids reveals the pattern of yellow shrubs, the Sophora denudata, a species naturally capable of capturing water from the fog.

Sans titre, 2025
Sans titre, 2025
Painted silk, linen, wood
42 x 140 x 15 cm
Enquiries about work INV Nbr. EP2025001
Elise Peroi
Sans titre, 2025
Painted silk, linen, wood
42 x 140 x 15 cm
Enquiries about work INV Nbr. EP2025001
Herbier, 2025
Herbier, 2025
Linen, painted silk
Variable dimensions
Enquiries about work INV Nbr. EP2025000
Elise Peroi
Herbier, 2025
Linen, painted silk
Variable dimensions
Enquiries about work INV Nbr. EP2025000
Herbier 3, 2025
Herbier 3, 2025
Linen, painted silk
33 x 27 cm
Enquiries about work INV Nbr. EP2025004
Herbier 2, 2025
Herbier 2, 2025
Linen, painted silk
33 x 27 cm
Enquiries about work INV Nbr. EP2025003
Herbier 1, 2025
Herbier 1, 2025
Linen, painted silk
33 x 27 cm
Enquiries about work INV Nbr. EP2025002
S'attarder en surface I, 2022
S'attarder en surface I, 2022
Linen, painted silk, silver
63 x 44 cm
© Romain Darnaud
Enquiries about work INV Nbr. EP2022001

The series, S'attarder en surface, has its origins in Italo Calvino's Les villes invisibles, a poetic utopian look at our modern world. Élise Peroi is developing her own textile cartography, breaking it down into 7 unique works and defining her own aesthetic of the fragment. Her work revolves around the question of presence through absence, signified by the use of the void as form and material. The application of silver leaf, whose oxidation suggests a natural evolution of colours towards red, mixed with painted flower motifs reminiscent of those in Persian miniatures, questions the notion of time. Each of the fragments comes from the same silk canvas, painted and then cut, which is then woven with linen threads. The delicate superimposition of the latter, like an archipelago, then allows the construction of a new work.

S'attarder en surface III, 2022
S'attarder en surface III, 2022
Linen, painted silk, silver
63 x 44 cm
© Romain Darnaud
Enquiries about work INV Nbr. EP2022003

The series, S'attarder en surface, has its origins in Italo Calvino's Les villes invisibles, a poetic utopian look at our modern world. Élise Peroi is developing her own textile cartography, breaking it down into 7 unique works and defining her own aesthetic of the fragment. Her work revolves around the question of presence through absence, signified by the use of the void as form and material. The application of silver leaf, whose oxidation suggests a natural evolution of colours towards red, mixed with painted flower motifs reminiscent of those in Persian miniatures, questions the notion of time. Each of the fragments comes from the same silk canvas, painted and then cut, which is then woven with linen threads. The delicate superimposition of the latter, like an archipelago, then allows the construction of a new work.

S'attarder en surface II, 2022
S'attarder en surface II, 2022
Linen, painted silk, silver
63 x 44 cm
© Romain Darnaud
Enquiries about work INV Nbr. EP2022002

The series, S'attarder en surface, has its origins in Italo Calvino's Les villes invisibles, a poetic utopian look at our modern world. Élise Peroi is developing her own textile cartography, breaking it down into 7 unique works and defining her own aesthetic of the fragment. Her work revolves around the question of presence through absence, signified by the use of the void as form and material. The application of silver leaf, whose oxidation suggests a natural evolution of colours towards red, mixed with painted flower motifs reminiscent of those in Persian miniatures, questions the notion of time. Each of the fragments comes from the same silk canvas, painted and then cut, which is then woven with linen threads. The delicate superimposition of the latter, like an archipelago, then allows the construction of a new work.

S'attarder en surface IV, 2022
S'attarder en surface IV, 2022
Linen, painted silk, silver
63 x 44 cm
© Romain Darnaud
Enquiries about work INV Nbr. EP2022004

The series, S'attarder en surface, has its origins in Italo Calvino's Les villes invisibles, a poetic utopian look at our modern world. Élise Peroi is developing her own textile cartography, breaking it down into 7 unique works and defining her own aesthetic of the fragment. Her work revolves around the question of presence through absence, signified by the use of the void as form and material. The application of silver leaf, whose oxidation suggests a natural evolution of colours towards red, mixed with painted flower motifs reminiscent of those in Persian miniatures, questions the notion of time. Each of the fragments comes from the same silk canvas, painted and then cut, which is then woven with linen threads. The delicate superimposition of the latter, like an archipelago, then allows the construction of a new work.

S'attarder en surface V, 2022
S'attarder en surface V, 2022
Linen, painted silk, silver
63 x 44 cm
© Romain Darnaud
Enquiries about work INV Nbr. EP2022005

The series, S'attarder en surface, has its origins in Italo Calvino's Les villes invisibles, a poetic utopian look at our modern world. Élise Peroi is developing her own textile cartography, breaking it down into 7 unique works and defining her own aesthetic of the fragment. Her work revolves around the question of presence through absence, signified by the use of the void as form and material. The application of silver leaf, whose oxidation suggests a natural evolution of colours towards red, mixed with painted flower motifs reminiscent of those in Persian miniatures, questions the notion of time. Each of the fragments comes from the same silk canvas, painted and then cut, which is then woven with linen threads. The delicate superimposition of the latter, like an archipelago, then allows the construction of a new work.

S'attarder en surface VII, 2022
S'attarder en surface VII, 2022
Linen, painted silk, silver
63 x 44 cm
© Romain Darnaud
Enquiries about work INV Nbr. EP2022007

The series, S'attarder en surface, has its origins in Italo Calvino's Les villes invisibles, a poetic utopian look at our modern world. Élise Peroi is developing her own textile cartography, breaking it down into 7 unique works and defining her own aesthetic of the fragment. Her work revolves around the question of presence through absence, signified by the use of the void as form and material. The application of silver leaf, whose oxidation suggests a natural evolution of colours towards red, mixed with painted flower motifs reminiscent of those in Persian miniatures, questions the notion of time. Each of the fragments comes from the same silk canvas, painted and then cut, which is then woven with linen threads. The delicate superimposition of the latter, like an archipelago, then allows the construction of a new work.

Objet végétal, 2024
Objet végétal, 2024
Linen, painted silk, wood
63,3 x 46,5 x 8 cm
Enquiries about work INV Nbr. EP2024002
Objet 4, 2024
Objet 4, 2024
Linen, painted silk, wood
63,3 x 46,5 x 8 cm
©Salah Boutayeb
Enquiries about work INV Nbr. EP2024003

The Objet serie is part of Elise Peroi's artistic research into huts, a theme developed during her residency at the Fondation Thalie in Arles in 2024. Conceived as veritable objects in themselves, the support - a structure that can be modulated in space - and the surface communicate with each other. The artist echoes the everyday equipment found in the houses of the gardian in the Camargue: a water filter, a cage or a washbasin. Each is closely linked to his work Vent dominant.

Objet 5, 2024
Objet 5, 2024
Linen, painted silk, wood
63,3 x 46,5 x 8 cm
©Salah Boutayeb
Enquiries about work INV Nbr. EP2024004


The Objet serie is part of Elise Peroi's artistic research into huts, a theme developed during her residency at the Fondation Thalie in Arles in 2024. Conceived as veritable objects in themselves, the support - a structure that can be modulated in space - and the surface communicate with each other. The artist echoes the everyday equipment found in the houses of the gardian in the Camargue: a water filter, a cage or a washbasin. Each is closely linked to his work Vent dominant.
 

Objet 6, 2024
Objet 6, 2024
Linen, painted silk, wood
63,3 x 48,5 x 8 cm
©Salah Boutayeb
Enquiries about work INV Nbr. EP2024008

The Objet serie is part of Elise Peroi's artistic research into huts, a theme developed during her residency at the Fondation Thalie in Arles in 2024. Conceived as veritable objects in themselves, the support - a structure that can be modulated in space - and the surface communicate with each other. The artist echoes the everyday equipment found in the houses of the gardian in the Camargue: a water filter, a cage or a washbasin. Each is closely linked to his work Vent dominant.

Sans titre, 2024
Sans titre, 2024
Linen, silk, painted cotton
45 x 55 cm
©Adrien Thibault
Enquiries about work INV Nbr. EP2024009
Elise Peroi
Sans titre, 2024
Linen, silk, painted cotton
45 x 55 cm
©Adrien Thibault
Enquiries about work INV Nbr. EP2024009
Sans titre, 2024
Sans titre, 2024
Linen, silk, painted cotton
45 x 55 cm
©Adrien Thibault
Enquiries about work INV Nbr. EP2024011
Elise Peroi
Sans titre, 2024
Linen, silk, painted cotton
45 x 55 cm
©Adrien Thibault
Enquiries about work INV Nbr. EP2024011
Langage des oiseaux, 2024
Langage des oiseaux, 2024
Silk, cotton, linen, lurex, wood
Variable dimensions
© Jules Toulet
Enquiries about work INV Nbr. EP2024007
Elise Peroi
Langage des oiseaux, 2024
Silk, cotton, linen, lurex, wood
Variable dimensions
© Jules Toulet
Enquiries about work INV Nbr. EP2024007
Elise Peroi
Langage des oiseaux, 2024
Silk, cotton, linen, lurex, wood
Variable dimensions
© Jules Toulet
Enquiries about work INV Nbr. EP2024007
Les villes invisibles, 2023
Les villes invisibles, 2023
Linen, painted silk, beech
Variable dimension
©Andrea Rossetti
Enquiries about work INV Nbr. EP2023001

Les villes invisibles, 2023, is an installation composed of several pieces:

Lalage, 2022, linen, painted silk, beech, 95 x 138 x 11 cm
Ereme, 2022, linen, painted silk, beech, 95 x 124 x 11 cm
Songes II, 2022, linen, painted silk, beech, 140 x 198 x 15 cm
Nageur, 2022, linen, painted silk, beech, 95 x 124 x 11 cm

Group show, Un lac inconnu, 2023, Bally foundation, Lugano, Switzerland

Sous-tendre, 2023
Sous-tendre, 2023
Painted silk, linen, wood
Variable dimension
© Sarah Duby
Enquiries about work INV Nbr. EP2023003
Elise Peroi
Sous-tendre, 2023
Painted silk, linen, wood
Variable dimension
© Sarah Duby
Enquiries about work INV Nbr. EP2023003
Elise Peroi
Sous-tendre, 2023
Painted silk, linen, wood
Variable dimension
© Sarah Duby
Enquiries about work INV Nbr. EP2023003
Anachorèse - villa, 2022
Anachorèse - villa, 2022
Linen, painted silk, wood
300 x 300 x 30 cm
© Margot Montigny
Enquiries about work INV Nbr. EP2022008
Champs, 2022
Champs, 2022
Lin, soie peinte, argent
Enquiries about work INV Nbr. EP2022010
Clairière, 2021
Clairière, 2021
Linen, painted silk, beech from the Sojanes forest
235 x 141 x 25 cm
Enquiries about work INV Nbr. EP2021001
Furoshiki variation, 2020
Furoshiki variation, 2020
Paper, Linen
90 x 90 cm
Enquiries about work INV Nbr. EP2020005
Jardin Suspendu, 2020
Jardin Suspendu, 2020
Linen, painted silk, wood
120 x 160 x 320 cm
©Jules Toulet
Enquiries about work INV Nbr. EP2020001
Elise Peroi
Jardin Suspendu, 2020
Linen, painted silk, wood
120 x 160 x 320 cm
©Jules Toulet
Enquiries about work INV Nbr. EP2020001
Mal peignée, 2020
Mal peignée, 2020
grass, linen
140 x 90 cm
Enquiries about work INV Nbr. EP2020002
Pour faire une prairie, 2020
Pour faire une prairie, 2020
Linen, grasses
28 x 17 x 37 cm
© Thomas Jean Henri
Enquiries about work INV Nbr. EP2020004
Equilibre incertain, 2018
Equilibre incertain, 2018
Cotton, polyester, wool, lurex, birch
200 x 340 x 170 cm
Enquiries about work INV Nbr. EP2018001

Born in Nantes in 1990, Élise Peroi lives and works between Brussels (Belgium) and Arles (France). She graduated with a Master's degree in Textile Design from the Royal Academy of Fine Arts in Brussels in 2015.

Élise Peroi's work with weaving and emptiness seeks to convey what passes through, the breath, the atmosphere. Inspired by François Jullien's book Vivre de paysage ou L'impensé de la Raison, she seeks to convey an all-encompassing vision of the world, where everything around us ‘is no longer a matter of “seeing”, but of living'. Her work, which reveals suspended spaces, also refers to the notion of time, the workshop and the tool. Translating what precedes the creation of a work refers to Paul Valéry's text, La philosophie de la danse, and leads to an awareness of the poetic aspect of gestures. In 2016, with the support of the Halles de Schaerbeek in Brussels, she began to develop performances based on weaving.

Élise Peroi has taken part in numerous solo and group exhibitions since 2015, including Un lac inconnu, Bally Foundation (CH); Roma, a portrait, Palazzo delle Esposizioni (IT); House of Dreamers, Fondation Boghossian (BE); The Sowers, Fondation Thalie (BE); Là où se trouve la forêt, Botanique (BE); Foresta, Le Bel Ordinaire (FR); Inspire, Iselp (BE), and more. She is regularly invited for residencies: Fondation Thalie (FR) Academia Belgica (IT); La Serre - arts vivants (CA); The Hong Kong Arts Centre (HK); La Bellone (BE); Fédération Wallonie- Bruxelles, Île de Comacina (IT), etc.


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