La rose bleue

The triptych Tre Ovali, created in 2015 for an exhibition in Italy, consists of three scraps of fabric with empty ovals in their centre. Marion Baruch imagined these shapes as small objects intended for sale, conceptually creating a small shop. As often with the artist, this relationship between the void - here these three holes - and its imaginary function ironically creates a dialogue to make these scraps destined for oblivion into consumer products; or how to make fun of over-consumption by selling "nothing".

N38W084 highlights patterns from topographic surveys, here those of a vast american territory. In the continuity of the Mille Mississipi series, the processing of the figures obtained and the work of color reveal a multitude of hydrographic networks of streams, rivers, metaphors or pretexts to dream in front of figures that become trees, neurological connections, plants or electrical forms...

The serie Aftertouch is a continuation of Julien Discrit's work on self-generated forms. The artist uses a process of molding and imprinting, which, by contact, allows him to obtain random forms. These arborescences, or "dendrites", recall forms discernible in many physical and natural phenomena such as neural networks, veins, plants... or geographical as in erosion and hydrographic networks. Motifs already present in other series of the artist such as the États inversés and Mille Mississippi.
The title Aftertouch evokes the imprinting process used, since the forms are self-generated after contact, and also refers to sound, more precisely to electronic keyboards and synthesizers, the "aftertouch" being an effect that plays on the sensitivity of expression of the key of a keyboard to create a variation of note.
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The serie Aftertouch is a continuation of Julien Discrit's work on self-generated forms. The artist uses a process of molding and imprinting, which, by contact, allows him to obtain random forms. These arborescences, or "dendrites", recall forms discernible in many physical and natural phenomena such as neural networks, veins, plants... or geographical as in erosion and hydrographic networks. Motifs already present in other series of the artist such as the États inversés and Mille Mississippi.
The title Aftertouch evokes the imprinting process used, since the forms are self-generated after contact, and also refers to sound, more precisely to electronic keyboards and synthesizers, the "aftertouch" being an effect that plays on the sensitivity of expression of the key of a keyboard to create a variation of note.
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The serie Aftertouch is a continuation of Julien Discrit's work on self-generated forms. The artist uses a process of molding and imprinting, which, by contact, allows him to obtain random forms. These arborescences, or "dendrites", recall forms discernible in many physical and natural phenomena such as neural networks, veins, plants... or geographical as in erosion and hydrographic networks. Motifs already present in other series of the artist such as the États inversés and Mille Mississippi.
The title Aftertouch evokes the imprinting process used, since the forms are self-generated after contact, and also refers to sound, more precisely to electronic keyboards and synthesizers, the "aftertouch" being an effect that plays on the sensitivity of expression of the key of a keyboard to create a variation of note.