"Le Pressentiment de mon indiscipline"
18th May - 20th July 2019
Exhibitions:
- « Le pressentiment de mon indiscipline » / dialogue on the notion of line with Benar Venet, Galerie Anne-Sarah Bénichou, Paris, France, 2019
- Bernar Venet, rétrospective 2019 – 1959, Musée d’Art Contemporain (MAC) Lyon, France, 2018
Exhibitions:
- « Le pressentiment de mon indiscipline » / dialogue on the notion of line with Benar Venet, Galerie Anne-Sarah Bénichou, Paris, France, 2019
- Bernar Venet, rétrospective 2019 – 1959, Musée d’Art Contemporain (MAC) Lyon, France, 2018
© Jérôme Cavalière
Courtesy Archives Bernar Venet, New York
Exhibition:
- « Le pressentiment de mon indiscipline »/ dialogue on the notion of line with Benar Venet, Galerie Anne-Sarah Bénichou, Paris, France, 2019
Courtesy Archives Bernar Venet, New-York
Exhibition:
- "Le pressentiment de mon indiscipline"/ dialogue on the notion of line with Benar Venet Galerie Anne-Sarah Bénichou, Paris, France, 2019
Diameter: 52 cm
Courtesy Archives Bernar Venet, New-York
Exhibitions:
- « Le pressentiment de mon indiscipline »/ dialogue on the notion of line with Benar Venet, Galerie Anne-Sarah Bénichou, Paris, France, 2019
- Bernar Venet, les années conceptuelles, 1966 – 1976, Musée d’Art moderne et d’Art contemporain (MAMAC), Nice, France, 2018
50 x 37,5 inch
Collection Venet Foundation, New York
Courtesy Archives Bernar Venet, New-York
Exhibitions:
- « Le pressentiment de mon indiscipline » / dialogue on the notion of line with Benar Venet, Galerie Anne-Sarah Bénichou, Paris, France, 2019
- Bernar Venet, les années conceptuelles 1966-1976, Musée d’art moderne et d’art contemporain (MAMAC), Nice, France, 2018
250 x 150 cm
Marion Baruch has, for the past ten years, been intervening on fabric offcuts retrieved from the textile industry in Milan. The artist selects, sorts and arrange those materials, so as to transform those disregarded scraps from the industrial and urban society into forms characterised by a flexible geometry. Hung from the ceiling or pinned on the wall, her works reflect a history, as social and political as individual and sensitive.
Various sizes
Chourouk Hriech's black and white drawings, murals or on paper, emerge from lines of buildings and fragments, which the artist encounters, fantasizes and recompose. With this installation, the artist questions the established notions of perspective, frame and delineation; superimposing plans, multiplying angles and inviting the viewers to navigate within the space of their imagination and in a time of traveling.
In the continuity of his works around the notions of imprint and border, Julien Discrit explores the line in its historical and temporal dimension. He made a molding from one of the few visible geological imprints of the boundary between the end of the Cretaceous and the beginning of the tertiary era dating back 66 million years - a change of era notably marking the disappearance of the dinosaurs. This limit is visible on the ground by the presence of a thin layer of clay known as the K-T limit, identified in the Basque Country, at Zumaia. Julien Discrit questions here the fragility of human and animal life, the irreversibility of destruction and the question of evolution.
Original silver print photograph
Image: Various sizes (7 x 9,5 inches each approximatively)
Exhibitions :
- Marion Baruch, Retrospektive-Innenausseninnen, Kunstmuseum Luzern, Luzern, Switzerland, 2020.
- « Le pressentiment de mon indiscipline »/ dialogue on the notion of line, Galerie Anne-Sarah Bénichou, Paris, France, 2019.
- Life A User's Manual, Art Encounters, Contemporary Art Biennial, Timisoara, Romania, 2017.
Original silver print photograph
Image: Various sizes (7 x 9,5 inches each approximatively)
Exhibitions :
- Marion Baruch, Retrospektive-Innenausseninnen, Kunstmuseum Luzern, Luzern, Switzerland, 2020.
- « Le pressentiment de mon indiscipline »/ dialogue on the notion of line, Galerie Anne-Sarah Bénichou, Paris, France, 2019.
- Life A User's Manual, Art Encounters, Contemporary Art Biennial, Timisoara, Romania, 2017.
Original silver print photograph
Image: Various sizes (7 x 9,5 inches each approximatively)
Exhibitions :
- Marion Baruch, Retrospektive-Innenausseninnen, Kunstmuseum Luzern, Luzern, Switzerland, 2020.
- « Le pressentiment de mon indiscipline »/ dialogue on the notion of line, Galerie Anne-Sarah Bénichou, Paris, France, 2019.
- Life A User's Manual, Art Encounters, Contemporary Art Biennial, Timisoara, Romania, 2017.
Original silver print photograph
Image: Various sizes (7 x 9,5 inches each approximatively)
Exhibitions :
- Marion Baruch, Retrospektive-Innenausseninnen, Kunstmuseum Luzern, Luzern, Switzerland, 2020.
- « Le pressentiment de mon indiscipline »/ dialogue on the notion of line, Galerie Anne-Sarah Bénichou, Paris, France, 2019.
- Life A User's Manual, Art Encounters, Contemporary Art Biennial, Timisoara, Romania, 2017.
Original silver print photograph
Image: Various sizes (7 x 9,5 inches each approximatively)
Exhibitions :
- Marion Baruch, Retrospektive-Innenausseninnen, Kunstmuseum Luzern, Luzern, Switzerland, 2020.
- « Le pressentiment de mon indiscipline »/ dialogue on the notion of line, Galerie Anne-Sarah Bénichou, Paris, France, 2019.
- Life A User's Manual, Art Encounters, Contemporary Art Biennial, Timisoara, Romania, 2017.
For Paris Gallery Week-end's 6th edition, Anne-Sarah Bénichou invites Bernar Venet for an exhibition on the notion of « line » , creating a dialogue with the artists of the gallery. New works but also historical and contemporary pieces of Venet will be dispayed in the space.
Performance of the artist : May, 18th, at 4pm.
To consult the catalogue of the exhbition, please click here
To see the exhibition in 3D, please click here