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BAD + Bordeaux 2023

Mireille Blanc, Cyrielle Gulacsy, Yann Lacroix, Juliette Minchin, Massinissa Selmani

4 - 7th May 2023

Massinissa Selmani
Mireille Blanc
Motif, 2019
Oil and spray on canvas
180 x 124 cm
Titled, dated, signed on the back (upper right)
Enquiries about work INV Nbr. MBL2019008

Motif is part of a group of paintings produced from photographs of sweat-shirts. Very typical of her work, the artist transforms the picture by playing on the scale ratio to provide a different angle. By the inclination of the focal length towards a close perspective and by enlarging the picture, Mireille Blanc subtly fades the subject out of the image, and constructs a filter between the artwork and the one who is looking at it. By blurring the inscription and the image's context, often old-fashion and kitsch, she focuses on the vagueness of the elements treated and plays on the enigmatic nature of subjects she encounters.

Massinissa Selmani
Mireille Blanc
Pull, dans les nuages, 2019
Oil and spray on canvas
110 x 88 cm
Titled, dated, signed on the back (upper right)
Enquiries about work INV Nbr. MBL2019010

Pull, dans les nuages is part of a group of paintings produced from photographs of sweat-shirts. Very typical of her work, the artist transforms the picture by playing on the scale ratio to provide a different angle. By the inclination of the focal length towards a close perspective and by enlarging the picture, Mireille Blanc subtly fades the subject out of the image, and constructs a filter between the artwork and the one who is looking at it. By blurring the inscription and the image's context, often old-fashion and kitsch, she focuses on the vagueness of the elements treated and plays on the enigmatic nature of subjects she encounters.

Massinissa Selmani
Mireille Blanc
Petit sweat bleu, 2017
Oil on canvas
120 x 90 cm
Titled, dated, signed on the back (upper right)
Enquiries about work INV Nbr. MBL2017001

Petit sweat bleu is part of a group of paintings produced from photographs of sweat-shirts. Very typical of her work, the artist transforms the picture by playing on the scale ratio to provide a different angle. By the inclination of the focal length towards a close perspective and by enlarging the picture, Mireille Blanc subtly fades the subject out of the image, and constructs a filter between the artwork and the one who is looking at it. By blurring the inscription and the image's context, often old-fashion and kitsch, she focuses on the vagueness of the elements treated and plays on the enigmatic nature of subjects she encounters.

Massinissa Selmani
Mireille Blanc
Vénus Génitrix (2), 2021
Oil and spray on canvas
38 x 27 cm
Signed, titled, dated on the back
Enquiries about work INV Nbr. MBL2021004
Massinissa Selmani
Mireille Blanc
Sucre glace, 2020
Oil and spray on wood
24 x 18 cm
signed and dated on the back
Enquiries about work INV Nbr. MBL2020017

The source image of Sucre glace comes from a detail of a photograph of a T-shirt stained with icing sugar. The white of the sugar creates a sort of constellation on the surface of the navy blue fabric. The framing is so tight that you can make out the knits of the garment. The subject is unrecognisable and evokes at first glance the pattern of a wave. Thus the painting becomes almost abstract and its object remains deliberately enigmatic.

Massinissa Selmani
Mireille Blanc
LOVE #2, 2022
Oil on wood
19 x 24 cm
Titled, dated and signed at the back
Enquiries about work INV Nbr. MBL2022011
Massinissa Selmani
Cyrielle Gulacsy
Andromeda DC02, 2022
Acrylic on canvas
155 x 155 cm
Enquiries about work INV Nbr. CG2022031
Massinissa Selmani
Cyrielle Gulacsy
Light fragment 13 (3a), 2023
Acrylic ink on paper
50,5 x 36 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2023016
Massinissa Selmani
Cyrielle Gulacsy
Light fragment 07 (2a), 2023
Acrylic ink on paper
50,5 x 36 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2023010
Massinissa Selmani
Cyrielle Gulacsy
Light fragment 01 (1a), 2023
Acrylic ink on paper
50,5 x 36 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2023004
Massinissa Selmani
Cyrielle Gulacsy
Solar Dynamics 08 (H-Alpha), 2022
Indian ink on paper
16 x 20,5 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2022008

The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.

Massinissa Selmani
Cyrielle Gulacsy
Solar Dynamics 22 (H-Alpha), 2022
Indian ink on paper
16 x 20,5 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2022022

The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.

Massinissa Selmani
Cyrielle Gulacsy
Solar Dynamics 15 (H-Alpha), 2022
Indian ink on paper
16 x 20,5 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. CG2022015

The Solar dynamics series is a representation of the sun, through an hydrogen filter (H-Alpha) applied on a telescope by the Solar Dynamics Observatory. It allows to observe with great precision the details of the chromosphere, a thin but very active layer of the solar atmosphere.
The 24 drawings composing this series correspond to the decomposition of the sun's rotational movement over 24 hours. The dot becomes a tool of mise en abyme where the big white circle of the sun is itself a composition of an infinity of points.

Massinissa Selmani
Yann Lacroix
Cumulonimbus, 2023
Oil on canvas
150 x 130 cm
Signed, titled and dated at the back
Enquiries about work INV Nbr. YL2023007
Massinissa Selmani
Yann Lacroix
Sous-bois, 2019
Oil on canvas
8,6 x 10,6 inch
Titled, signed and dated at the back
Enquiries about work INV Nbr. YL2019011

À partir de ses souvenirs (images glanées sur Internet, séjours à l'étranger, environnement quotidien…), Yann Lacroix peint des paysages volontairement composites, habités de végétation exotique, de serres tropicales et de piscines, constitués de leur propre artificialité et vides de présence humaine mais dont la trace d'une histoire passée ou possible amène sensualité et vie : une réflexion sur les hétérotopies qui s'articule par le biais de ces lieux à la fois fantasmés et emprunts d'une poésie du quotidien comme des allégories de la peinture même.

Massinissa Selmani
Yann Lacroix
Island, 2020
Oil on canvas
27 x 35 cm
Signed, titled, dated on the back
Enquiries about work INV Nbr. YL2020023

À partir de ses souvenirs (images glanées sur Internet, séjours à l'étranger, environnement quotidien), Yann Lacroix peint des paysages volontairement composites, habités de végétation exotique, de serres tropicales et de piscines, constitués de leur propre artificialité et vides de présence humaine mais dont la trace d'une histoire passée ou possible amène sensualité et vie : une réflexion sur les hétérotopies qui s'articule par le biais de ces lieux à la fois fantasmés et emprunts d'une poésie du quotidien comme des allégories de la peinture même.

Massinissa Selmani
Massinissa Selmani
Récit de la gravité, 2022
Graphite and colored pencil on paper
46 x 60 cm
Signed
Enquiries about work INV Nbr. MS2022009
Massinissa Selmani
Massinissa Selmani
Amorce dans l'air léger #4, 2020
Amorces dans l'air léger
Graphite and coloured pencil on paper
50 x 65 cm
Signe at the bottom right
Enquiries about work INV Nbr. MS2020018

In Amorce dans l'air léger, Massinissa Selmani assembles elements to produce strange, even absurd situations, imbued with a certain gravity; they suggest signs of a latent tragedy or the beginnings of an elusive violence to come. The resulting storytelling, deliberately constructed from postures or fragments of architecture that seem familiar, escapes the possibility of situating or dating them. The elements thus isolated from their context tend to make the situations eternal.

Massinissa Selmani
Massinissa Selmani
La planète entre nos dents, 2021
Watercolour and coloured pencil on paper
22 x 22 cm
signed at the bottom right of the back
Enquiries about work INV Nbr. MS2021014

Inspired by Jean Sénac's poems, Massinissa Selmani tries to capture the particular rhythm of the author's writing. He draws fragments with watercolour that echo the language. The sentences are sometimes left as they are, sometimes invented, modified or expanded, while preserving and emphasizing the impertinence and absurdity of the revolutionary poet's words. Far from illustration, Massinissa Selmani focuses mainly on the formal and graphic rhythm to develop a poetry of drawing that is central in his work.

Massinissa Selmani
Massinissa Selmani
Sans titre #3 (Escale), 2018
Graphite and coloured pencil on paper
25 x 18,3 cm
Signed and date lower right
Enquiries about work INV Nbr. MS2018035
Massinissa Selmani
Massinissa Selmani
Laps, 2022
Lithography
50 x 40 cm
Signed
Enquiries about work INV Nbr. MS2022006

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